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Checklist

  1. Archival presentation of Takahiko Iimura and Alvin Lucier, Shelter 9999, 1966–1968. Three projections and stereo sound comprising thirty-one color slides (looped); 16mm film transferred to digital video, 28:09 min, looped; three 16mm films transferred to digital, 9:28 min (total), looped; and stereo sound, 32:42 min, looped. Collections of Akiko and Takahiko Iimura, and Alvin Lucier papers, 1939–2015, New York Public Library Archives. Courtesy of the artists. 

  2. Akiko Iimura, Mon Petit Album, 1974. 16mm film transferred to digital video, 12 min, color, sound. Collection of the artist. 

  3. Takahiko Iimura, Taka and Ako, 1966. 16mm transferred to digital video, 13 min, b/w, silent. Collection of the artist. 

  4. Archival presentation of Dream Reel, a mixed media performance in Isobe’s Floating Theater, originally presented at State University at Oneonta, March 23, 1969. Parachute and 16mm film transferred to digital video. Courtesy of Yukihisa Isobe, the Jud Yalkut Estate, and Anthology Film Archives.

  5. Film documentation of Yukihisa Isobe’s work by Jud Yalkut. 16mm film transferred to digital video. Courtesy of Jud Yalkut Estate and Anthology Film Archives. 

  6. Takehisa Kosugi, TM, 1974. 16mm film transferred to digital video, 3 min, color, silent. Courtesy of the Estate of Takehisa Kosugi

  7. Seiichi Fujii, Body Wave, 1970. 16mm film transferred to digital video, double projection, 35 min, b/w and color, sound. Courtesy of the artist. 

  8. Kenji Kanesaka, Super Up, 1966. 16mm transferred to digital video, 13 min, color, sound. Courtesy of the artist and the Chicago Film Archives. 

  9. Masanori Ōe and Marvin Fishman, Great Society, 1967. Six projection 16mm film transferred to digital video, 17 min, color, sound. Courtesy of the artist and S.I.G.

  10. Masanori Ōe, Head Game, 1967. Film transferred to digital video, 10 min, color, sound. Courtesy of the artist and S.I.G.

  11. Masanori Ōe, No Game, 1967. Film transferred to digital video, 17 min, b/w, sound. Courtesy of the artist and S.I.G.

  12. Mako Idemitsu, Woman’s House, 1972. 16mm film transferred to digital video, 13:40 min, color, sound. Courtesy of the artist. 

  13. Mako Idemitsu, Women, 1977. Four-channel standard-definition video installation, approx. 18 min each, b/w, sound. Courtesy of the artist. 

  14. Shigeko Kubota, Video Girls and Video Songs for Navajo Sky, 1973. Standard-definition video, 31:56 min, b/w and color, sound. Courtesy of the Shigeko Kubota Video Art Foundation and Electronic Arts Intermix (EAI), New York. 

  15. Shigeko Kubota, excerpts from documentation of the Video Talk Show, 1977 (with Suzanne Delehanty and Gerald O'Leary, March 23, 1977; and David Ross, Barbara London, John Hanhardt, and Jonathan Price, December 18, 1977). Standard-definition video, b/w, sound. Courtesy of the Shigeko Kubota Video Art Foundation. 

  16. Kyōko Michishita, Being Women in Japan: Liberation Within My Family, 1973–1974. Standard-definition video, 30 min, b/w, sound. Courtesy of the artist and V-Tape. 

  17. Fujiko Nakaya, Friends of Minamata Victims - Video Diary, 1972. Standard-definition video, 20 min, b/w, sound. Courtesy of the artist and the Tokyo Photographic Art Museum. 

  18. Kō Nakajima, Liquid Projector (Ryūdōtai Purojekutā), 1969/2024. Wood, aluminum, acrylic, glass, motors, LED lamp, and 16mm film. 

  19. Kō Nakajima, documentation of Osaka Expo ’70, 1970. 16mm film transferred to digital video, 11:40 min, b/w, silent. Courtesy of Kō Nakajima and the Keio University Art Center. 

  20. Performance documentation of Terrence Reid, Coke in the Hole, 1972. Standard-definition video, 8:29 min, b/w, silent. Video by Taiji Arita. Courtesy of the artist and Michael Goldberg. 

  21. Yamaguchi Katsuhiro, EAT, 1972. Standard-definition video, 10:01 min, b/w, sound. Video by Hakudō Kobayashi. Courtesy of the artist and Michael Goldberg. 

  22. Performance documentation of Seiichi Fujii, Kite, 1972. Standard-definition video, 4:55 min, b/w, sound. Video by Michael Goldberg. Courtesy of the artist and Michael Goldberg. 

  23. Donald Richie, Jinsei [life], 1964. 16mm transferred to digital video, 2:40 min, b/w, sound. Collection of Takahiko Iimura. 

  24. Mary Evans, Gomi [trash], 1964. 16mm transferred to digital video, 2 min, b/w, sound. Collection of Takahiko Iimura. 

  25. Yasunao Tone, 2,880K=120”, 1964. 16mm transferred to digital video, 3 min, b/w, silent. Collection of Takahiko Iimura. 

  26. Takahiko Iimura, Dead Movie, 1968/2024. Two 16mm film projectors and 16mm black leader film.