As part of the Community of Images exhibition, we conducted an interview with artist Ko Nakajima in 2023.

An interview with the director of the Video Information Center (VIC) Ichiro Tezuka, conducted by Hitoshi Kubo and Yu Honma on the 21st December 2016 at VIC Kichijoji Grankiosk.

Researcher Jesse Cumming interviewed artist Kyoko Michishita about her work, the Video Portraits series.

Presentation about his film practice of late-1960s. Organized by Collaborative Cataloging Japan and co-presented with Vox Populi Gallery on February 19, 2017.

An excerpt from Keiji Uematsu’s 2016 interview with the Oral History Archives of Japanese Art.

Born in a patriarchal family in Japan, Mako Idemitsu's works explore her inner struggle and identity as a woman, wife, daughter, mother, and a foreigner looking for a home abroad.

Artist and moving image archivist Andrew Lampert has been working through the challenges that face presentation and preservation of moving image works. In this interview, Lampert gave great feedback to our Expanded Cinema research team about various aspects of presenting and preserving complex media art: digital vs. analog, performance vs. installation, iterative life of works, presentation and archival material, and the importance of documentation. Julian Ross, Ann Adachi-Tasch, and Go Hirasawa conducted the interview, at New York University, on March 9, 2017.

Artist Ko Nakajima gave an introduction to his early works during the Community Archiving Workshop on November 26, 2016. 

During the 2018 CCJ Collection Survey of Keiichi Tanaami collection, researcher Julian Ross conducted an interview with the artist to learn about his expanded cinema works, the context for creating those works, and his views on presenting them today.

2018年に行った田名網敬一氏の映像コレクション・サーベー調査の際、研究者ジュリアン・ロス氏インタビューを行いました。現在ロス氏が進めているエクスパンデッド・シネマに関して、当時の様子や今日の展覧についてなど伺いました。

Artist and moving image archivist Andrew Lampert has been working through the challenges that face presentation and preservation of moving image works. In this interview, Lampert gave great feedback to our Expanded Cinema research team about various aspects of presenting and preserving complex media art: digital vs. analog, performance vs. installation, iterative life of works, presentation and archival material, and the importance of documentation. Julian Ross, Ann Adachi-Tasch, and Go Hirasawa conducted the interview, at New York University, on March 9, 2017.

As part of the Japanese Expanded Cinema research thread, CCJ partners Go Hirasawa and Hiroko Tasaka interviewed artist Shuzo Azuchi Gulliver in 2017. Hiroko Tasaka organized the exhibition Japanese Expanded Cinema Revisited at Tokyo Photographic Art Museum in 2017, which included Gulliver’s Cinematic Illumination (1968-1969). Go Hirasawa was a major contributor to the exhibition.

As part of the Japanese Expanded Cinema research thread, CCJ partners Go Hirasawa and Hiroko Tasaka interviewed filmmaker Masanori Oe in 2017. Hiroko Tasaka organized the exhibition Japanese Expanded Cinema Revisited at Tokyo Photographic Art Museum in 2017, which included Oe’s Loop Siki No.1 / No.2 / No.3 (1966). Go Hirasawa was the curatorial adviser in the exhibition.