Collaborative Cataloging Japan is pleased to invite Postwar Japan Moving Image Archive (PJMIA) to present the works of representative Japanese animation artist, Nobuhiro Aihara (1944–2011). Amounting to 70 titles, Aihara’s oeuvre covers not only animation but also avant-garde filmmaking. Since 2016 PJMIA has been organizing and digitizing these films, and are now available for public presentation in four parts, arranged chronologically.

Collaborative Cataloging Japan is pleased to invite Postwar Japan Moving Image Archive (PJMIA) to present the works of representative Japanese animation artist, Nobuhiro Aihara (1944–2011). Amounting to 70 titles, Aihara’s oeuvre covers not only animation but also avant-garde filmmaking. Since 2016 PJMIA has been organizing and digitizing these films, and are now available for public presentation in four parts, arranged chronologically.

Joined by the subject of experimental animation, the three Japanese artists/filmmakers and their works are linked with one another through the artists' serendipitous encounters, interest in animation, collaboration, and more recently, preservation initiatives. This program touches upon intersecting histories, while showcasing recent preservation efforts by Collaborative Cataloging Japan (of works by Ko Nakajima and Keiichi Tanaami) and CCJ's sister organization in Japan, Postwar Japan Moving Image Archive (of works by Nobuhiro Aihara).

Please join us at Rikumo for a special viewing program, drinks, and meet our partner researcher Julian Ross 

東京都写真美術館との共催で、2018年恵比寿映像祭の一貫としてパネルイベントを開催します。映像作品、コンピューターアート、パフォーマンスなど時間体験に基づく芸術作品を指す「タイムベースド・メディア」の保存が注目されている中、アーキヴィスト、技術者の最新の実践と対話をとおして、今日的課題を考察する。※日英同時通訳付

Co-organizers CCJ and TOP are pleased to present this panel, which brings together representatives from distinguished institutions to discuss recent case studies of presenting and preserving complex media art installations.