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This workshop on March 4, 2017 at Harvard Film Archive addresses the immense shifts taking place in the way moving images from Japan are preserved and presented. It explores the consequences they have for film as an art and as an object of research.
日本映像学会東部支部 と米国非営利団体法人コラボラティブ・カタロギング・ジャパン（CCJ） が共催企画で提供する「日米のオルタナティブ・映像アーカイブの成り立ちと現在で方向性」は日本と米国における映像作品のオルタナティブ・アーカイブの歴史的背景の議論を踏まえ、現在日本で個人や小規模団体が草の根作業で行う事例やそのカタロギングのメソッドついて焦点をあてます。
In collaboration with Nihon University College of Art and Japan Society of Image Arts and Sciences (JASIAS), CCJ is pleased to present a day-long workshop
Archival Impulse: Collecting and Conserving the Moving Image in Asia
Asia Art Archive in America, Collaborative Cataloging Japan, and The Museum of Modern Art's Contemporary and Modern Art Perspectives (C-MAP) present three public panels and a closed-door workshop.
International Workshop at Harvard University. Redefining Access: Japanese Materials, the Archive and Research in the New Media Ecology, organized by Alexander Zahlten with presentations by Go Hirasawa, Sen Uesaki, and Ann Adachi-Tasch.
