CCJ is pleased to welcome two archivists from New York, John Klacsmann, Anthology Film Archive, and Peter Oleksik, The Museum of Modern Art, to conduct Collection Survey research and a Professional Exchange program in Tokyo, in February 2018. During the program, we will be guiding the following activities:
Collection Survey at Ko Nakajima Studio
Collection Survey at Keiichi Tanaami Studio, with researcher Julian Ross
Panel presentation on conserving and presenting time-based media art at Tokyo Photographic Art Museum on February 10, 2018
Visit & Exchange with staff at the National Film Center
「第二回コレクション・サーベー、プロフェッショナル・エクスチェンジ」を2018年2月に東京で開催します。今回はニューヨークの近代美術館、アンソロジー・フィルム・アーカイブから二名アーキビストを招聘し、以下の企画を実施します。
中嶋興コレクション・サーベー
田名網敬一コレクション・サーベー
国際連携シンポジウム タイムベースド・メディアの収集保存(東京都写真美術館)
国立フィルムセンターの施設訪問
John Klacsmann is Archivist at Anthology Film Archives in New York City where he preserves experimental film and artists' cinema. Before joining Anthology in 2012, he worked as a preservation specialist and optical printing technician at Colorlab, a film laboratory in Maryland. He is a contributing editor of INCITE: Journal of Experimental Media and co-edited two volumes of the Harry Smith Collections Catalogue Raisonne (J&L Books, 2015).
Peter Oleksik is Associate Media Conservator at the Museum of Modern Art (MoMA) where he has been working since 2011 to conserve the museum's vast time-based media collection across curatorial departments. As part of his work at MoMA, Peter is a member of the Matters in Media Art (MMA) team, a collaboration between SFMOMA, The Tate and MoMA to provide resources on time-based media conservation. Peter lectures and publishes regularly on various topics related to time-based media conservation internationally. Additionally, Oleksik regularly works with independent artists, filmmakers and musicians, such as Jem Cohen, Fugazi and Sonic Youth, to preserve and provide access to their media collections. Oleksik received his BA in Cinema Studies from the University of Southern California and his MA from New York University’s Moving Image Archiving and Preservation (MIAP) program where he has served as an adjunct professor.
This program is generously supported by the Terumo Foundation for Life Sciences and Arts
(助成)「公益財団法人テルモ生命科学芸術財団」